Vincenzo Panomo was born on November 30, 1734, in a village near Palermo, Sicily; He passed away in London in 1813. He is one of the most successful followers of Antonio Stradivari. Pan Omo and Lu Bo, as the great reproductors of Stradivarius masterpieces, inherited the master's skills. Their sole purpose is to imitate various models of Stradivari, Guarneri, and Amati, mainly limited to the Stradivari model. Vincenzo Panomo left Italy in his early years and stayed in Paris for a period of time, where some instruments were made. He moved from Paris to London and stayed there for many years. He also visited Ireland and reportedly made several beautiful musical instruments using the wood of an old maple pool table. He was unwilling and unable to steadily increase his reputation by living in one place for a long time, but once fame was in his hands, he gave up his years of work and turned to a completely new one. This made him waste a lot of time. Pan Omo's special environment made all his efforts pale in comparison. He moved from one city to another, hoping to have a stable job and showcase his artistic talents in the new place. To meet the needs of one's daily life, being photographed and struggling against adversity, working hard. His talent, however, has a vitality that is displayed and developed through struggle, and brings some honor. Pan Omo is a hired worker for many people, using materials selected and purchased by temporary employers to manufacture oboes and other musical instruments, sometimes forced to execute the employer's ideas. In addition, he is often forced to complete his work within the prescribed time. Instruments manufactured under such conditions are difficult to bring glory and luster to qin makers. He had to waste his time on these inferior materials. Fortunately, in some cases, he had the time to fully showcase his superb skills, thus leaving us with some exquisite works of art. His workmanship is simpler than Lv Bo's, appearing more elegant. The sound hole cutting is admirable, and the rotating piano head is also well carved. Clear varnish is yellow, sometimes rose colored. The tone is very good.